Frankenstein; Romantically Gothic

Mary Shelley’s Frankenstein is a classic science fiction novel, and some may argue it is the first of its kind. While prescribed a gothic novel, I would like to interject it is romantic as well. It demonstrates strong themes generated towards the romantic theme: man can acquire too much knowledge. This is the case of Victor Frankenstein and his creature. Frankenstein drove himself mad with the knowledge it took to create the highly intelligent creature. He created a hideous beast, and spent the duration of his life seeking its destruction. The creature itself is a romanticized hero due the rejection he receives by his creator and the rest of society. Wherever the creature goes, he is rejected because of his hideous appearance and large frame. 

Romanticism aside, the gruesome way in which Frankenstein experiments with the dead is horrific enough. Yet what really makes this gothic novel is how it’s shrouded in mystery. Frankenstein is set in countries Germany and Switzerland, both regions many readers have not visited, adding to the element of mystery. The laboratory in which Frankenstein uses to supernaturally piece together various animal parts uses unexplored equipment unknown to readers. Pair this with the macabre research conducted on dug-up corpses and one is left with a sense of revulsion. The whole atmosphere of the book is one of mystery and trepidation due to its repugnant nature, and the added supernatural elements.  It is paranormal to raise the dead, however, Mary Shelley takes it a step further. Somehow the creature is connected to his master and is always within vicinity of Frankenstein. This is apparent when Frankenstein chases the creature to the arctic, and although the creature possessed supernatural speed, Frankenstein was apparently able to give close chase. This adds an element of mystique by providing Frankenstein with otherworldly qualities already bestowed upon the creature.